Okay, so the first effects pedal I would recommend for that signature shoegazer sound is a reverse reverb pedal — the one essential pedal that creates a noticeably different sonic palette than all other musical genres. A standard reverb pedal will fade out your playing after the attack; you’ll hear yourself hitting the strings and after that, the reverberation. The reverse reverb does the opposite. It’s kind of a twisted reverb sound, as you will hear the clean attack and, just as it starts to die out, you’ll hear the reverb fading in, eventually bringing the reverberated attack back at the end.
Restaurants, weddings, and self-organized events are how Lalita generates most of her income. With no electricity, none of that is possible. The release show for her new EP, El Grito, was postponed because of Irma, and the continued power outage has halted all promotion. The artist residency she was slated to begin in Miami this month is off, too; she needs the travel funds instead for a one-way ticket to New York. Lalita needs to earn money — for her own survival, of course, but also to care for those at home who need help now and will still be in need for months to come.
+ Enter the “Chip It Challenge!”: Create your own chiptune cover of Devo’s “Whip It,” and you could win a modded Game Boy, a flash cart, and feedback from Chipocrite, glomag, and BIAS One!
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Although these tape echos where popular, they were incredibly fragile and prone to breaking down often. Roland sought to solve this problem with their RE-100 tape echo units. The solid construction and its user friendly interface quickly established the Roland RE-100 as industry standard. It was reliable, robust, and ready to be taken anywhere.
When we were just getting started, we worked with American artists like the Flashbulb and French hip-hop producer Kacem Wapalek. We also reissued the debut album by French house producer Bob Sinclar, Paradise, released in 1995 on Yellow Productions, and we teamed-up with labels such as Tru Thoughts and Einmusika Recordings.
Thinking about what’s in it for the venue can also help you learn how to better sell your band in other marketing arenas. For example, if you’re angling to land a show opening for a bigger band touring through your town, the economy of that inquiry is pretty much in favor of the venue, the band, and their management. If you’re lucky and experiencing some real momentum, maybe you’ll get asked to join the bill, but otherwise, it’s important to know what cards you hold in your hand, and which to play.
“My experience with Soundfly was beyond expectations. When I enrolled the class I didn’t know how great the class would be designed and how personalized it would be! I really appreciated to have a mentor, I felt supported and pushed to reach my goals. Sırma is incredible! Every time I received an e-mail from her I was excited to read her feedback!”
New to Soundfly? All of our mentored online courses come with six weeks of one-on-one professional support and feedback on your work. It’s like having a personal trainer, but for music! Whether you’re interested to dive deep into a topic covered by one of our courses, like Unlocking the Emotional Power of Chords, Songwriting for Producers, or The Creative Power of Advanced Harmony, or just to work with a Mentor directly to achieve a specific goal, we can help you get there.
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As a performer, she was recently seen in Sondheim on Sondheim at the FreeFall Theatre in a cast that included Ann Morrison (the original Mary in “Merrily We Roll Along”), and Kissy Simmons (Nala, “The Lion King,” on Broadway). She also loves classical music by angsty Germans, moonlighting as the frontman for a yacht rock cover band, serving on the leadership council for March Chorus NYC, and more.
This is why creative residencies are so vital. They take us out of our hot, urban apartments and out of our busy, chore-laden lives. The best residencies for many of us are situated in natural settings that are purely inspirational in and of themselves, much lass as a result of the institutions or art centers hosting us.
Let’s look at some examples and how to approach writing with both kinds of bass sounds. And if this article whets your appetite for hip-hop beat production tips, head over to our mentored online course The Art of Hip-Hop Production now and grab a free preview!
Avoid this by following the 3:1 rule, which stipulates that the distance between multiple mics should be at least three times the distance between the close mic and the source. For example, if you have a close mic 8″ from the sound hole of your acoustic guitar, your ambient mic should be at least 24″ away from the other mic, or the same sound source. The big change in amplitude between the two signals will mitigate the comb filtering, and you can accentuate this by angling the mics in different directions (provided it sounds good).
But sometimes getting a good price isn’t enough to justify hoarding equipment. If you got it for a good price chances are you could turn it around get just as much for it — if not more! Which leads me to my next point.