With overwhelmingly positive results, we’re happy to share a few select testimonials of Soundfly’s Beginner Harmonic Theory course directly from our students.
Here are a handful of interesting ways that animals communicate to one another using sound signatures. Humans aren’t the only species with something to say!
If nostalgia is at all a part of your band’s image, the cassette is a no-brainer. But even if it’s not, that doesn’t mean your fans won’t get a kick out of a cassette, especially if it has some highly personalized aspects (more on that below).
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All of our mentored online courses come with six weeks of 1-on-1 professional coaching and feedback on your work. It’s like having a personal trainer, but for music! Share your goals with us and we’ll find a course for you, or create a custom mentorship session with a pro musician, engineer, educator, or music industry veteran, to help you achieve them.
Soundfly course producer John Hull walks us through how he creates a Slice to MIDI preset in Ableton Live so you can build your own customized version.
Unfortunately, it’s going to be pretty sour against the G string at 64/27 Hz. So maybe you should just tune the G string a major third below your new B, at 12/5 Hz. Now the G and B strings sound great together, but the G is out of tune against the D string at 16/9 Hz. So maybe D should be a fourth below G… but then the D string will be out of tune against A. If you tune the A based on your new D, then it’ll be out of tune against the low E. And if you tune the low E based on your new A, then it’ll be out of tune against the high E. There’s just no way to win.
There are lots of reasons why tuning is hard. You might be hampered by a poorly made guitar, or by a guitar that’s not set up correctly, or by old, worn-out strings, or by changes in temperature or humidity, or just by a lack of patience or time. At least you can be secure in the knowledge that some of your tuning struggles are due to the basic unfairness of the universe, and not just the limitations of your ears or your equipment.
I’m happy you think it sounds varied! Of course, I’ve been freaking out for awhile about the exact opposite; when I listen I of course hear a lot of similar patterns, progressions and melodies, which worries me a bit. Ultimately, I try to maintain a sort of “been there, done that” mentality to writing new music, meaning that if I find myself venturing into too-familiar territory I look for ways to steer myself towards a new direction.
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Not only is the venue feeding folks, but it’s also providing an opportunity for connections and comfort, and maybe a moment of transcendence from the anxiety and stress of a harsh, uncomfortable, and tragic reality.
A common idea using this scale position is to bend the major 6th up to the flat seven. This gives further flexibility and is a favorite of many players in the fusion, soul, and blues genres. In this lick, we end on the 6th. Ending on the 6th can be especially useful in blues, because the 6th also functions as the major 3rd of the IV chord.
When recording acoustic guitars, most of the tone is going to come from the guitar itself, the microphone you chose, and the room you record in. You can find some great-sounding acoustic guitars for under $500 that can easily be used for recording. Pair one of these up with the right microphone and a recording space with great acoustics, and you’re good to go. [*Here are some quick tips on recording acoustic guitars if you need them!]
Soundfly’s six-week beginner harmony course, Unlocking the Emotional Power of Chords, will show you how to craft compelling chord progressions in your music. We’ll analyze the chords used in music from across the contemporary landscape, and equip you to use them in your own productions and compositions. You’ll be challenged to write your own mood-setting music by creating tracks for topliners, TV ads, film trailers, and more, and get personalized weekly feedback on your work from an expert mentor. By the end of this course, you’ll be able to harness more interesting chord progressions to provoke powerful emotional reactions in your listeners.
Start by using a compressor with a fast attack and fast release to quickly clamp down on transients that get too loud. One common trick is to use an 1176 to apply ~3-6 dB of gain reduction at a ratio of 4:1. This is a great way to tame a dynamic vocal performance.