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Kakashi is another example of a great record that went into obscurity after its first pressing only to be dug out and rereleased by Better Days and Jet Set Records. Shimizu, a saxophonist and composer, worked with all kinds of musicians and collaborators, including Sakamoto and even artist Nam-June Paik. This record is deeply hypnotic and visits all kinds of soundscapes throughout, always with the saxophone placed at the center of attention.

For this course, you really just need to know enough about mixing that you know you need to learn more. If you’ve ever struggled to communicate with a mix engineer in order to get the sound you’re looking for, or listened to your own tracks and been unable to pinpoint exactly what you need to do to improve your sound, this is the course for you.

Hunter Farris runs the Song Appeal podcast, which focuses on the psychology behind why we like the music we like. His podcast on music theory and music psychology has appealed broadly enough for Hunter to speak at Comic-Con 2018, and is instructive enough to be used as homework by a Music Theory professor. He currently teaches people to play piano by ear and make their own arrangements of other people’s music.

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Course: Headliners Club

Dr. Ericsson makes a similar point. Playing the same thing over and over again might feel good without ever really helping you improve at the parts that are giving you the most trouble or mastering how to approach a similar piece next time. This passage was particularly illustrative to me:

The Space Echo is a tape delay pedal with a spring reverb plate built into it. Roland had made other tape delay machines before the RE-201, but adding the reverb plate colored the sound in a unique way. The way it combined both effects was fairly unique at the time, and artistically done, but now that’s fairly common across different guitar pedals, plugins, and outboard delay boxes.

Consider what one person can accomplish musically on a MacBook alone. With a DAW (digital audio workstation) like Ableton Live or Logic Pro, a few royalty-free sample packs, some cheap-to-free VSTs/plugins, and a bit of a musical ear, the “bedroom producer” now has all the ingredients she needs to create commercially viable music.

Soundfly partners with leading edge music education sites and services to bring you unique tips, tools, and stories to empower and inspire our community to find their sound.

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Another key metric you can measure is your follower growth over time. This is important because when listeners follow you, your new releases will automatically show up in their personalized Release Radar playlist. They’ll also get email notifications about shows you’re playing in their city.

These questions are important. Hopefully this quick guide can help you pick out the right amp for your needs. And since you probably don’t live in an area with unlimited choice, we know it can sometimes be hard to find niche, small production amps and it’s usually quite expensive to buy vintage pieces. So we wanted to focus on amps that are largely available in music stores anywhere. This list features common guitar amplifiers and their “types,” if you find similar amps, replicas, or alternate versions or editions, those would all work great!

The White Stripes was chaos organized. Their songs may not all sound the same, but they are all rooted in blues-influenced rock ‘n’ roll. The consistency of their color scheme told both their core audience as well as new fans: “We may go crazy and be a little off the rails, but we’re rooted in something familiar to all of us.”

We spoke to NYC bands Pinc Louds and The Living Strange about how they’re able to create some of the most exciting, innovative live music performances ever!

“I’m soon recording my debut single and a follow-up EP as well, therefore I’m working much on my writing and production skills. The most useful thing I learned was the practical approach of creating a tidy score for strings musicians.”