True. So I guess I’m not so much “understanding” the piece as I am creating a different piece of music using the same pitches and durations, but with a different rhythmic feel (one that I like better — sorry, Debussy). Touring is great. But it can very quickly turn into exhaustive, monotonous work. Here are 10 great tips to keep things interesting and fun on the road.
Jeremy is a Montreal-based musician, sound artist and improviser who loves giving advice to emerging artists on how to make their tours more effective. He writes, records and performs electroacoustic “concrète” music for tape, oscillators and amplified objects and surfaces, as well as solo guitar. He has performed and released material throughout Europe and the UK, Asia, the US and Canada, mostly with his trio Sontag Shogun. Now that I’m
I think the title, “La Fine Del Futuro” (“The End of the Future”) is apt because truly, we’re living in a post-modern era. How heavily do you allow technology to influence your composition? I read that you arranged the album by hand on manuscript paper. As I mentioned before, streaming services ingest about 20,000 new songs every single day, and the classification of those songs is still a manual process.