Another tried-and-true method for promoting your show is to make sure your show’s information appears on local listservs, blogs, and event calendars as soon as the information is confirmed. Don’t sleep on these websites and print publications. They often post about a show weeks before the event, and local editors and writers check them out for potential editorial coverage. You can usually search for event listings and add your info yourself to their websites.
“My experience with Soundfly was beyond expectations. When I enrolled the class I didn’t know how great the class would be designed and how personalized it would be! I really appreciated to have a mentor, I felt supported and pushed to reach my goals. Sırma is incredible! Every time I received an e-mail from her I was excited to read her feedback!”
Here are a few tips for upping your practicing game every day. But getting ready for a recording session requires doing things a little differently, so here are a few quick tips for how to make the most of your time in the studio:
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“[Bariolage] is a common technique to build tension near the end of a long violin piece and there are numerous possible inspirations for this particular passage in earlier chaconnes. In the Bach Chaconne, however, given that right mood and right performer, it matters not at all if one knows what a bariolage is or where it came from. What matters is that it sounds like a kind of outcry — not the sad little two-note sighs we have been taught to listen for in Mozart or Chopin, but long, hoarse-throated, mascara-streaked, Jessye Norman — collapsing-in-a-heap groans. Once you’ve felt this passage that way once, it is hard not to feel it that way every time you hear the Chaconne, and even to demand it, judging performers on the Daniel Day-Lewis scale of how many forehead veins they sound like they’re about to pop.”
Rather than starting by writing lyrics, try exploring different themes and topics through reading, writing, visual art, or anything else that inspires you. Keep a notebook with you at all times. The more you explore art, the more frequently ideas will come to you, and if you don’t write them down, you’ll likely forget. That way, when you start writing lyrics, you can first look at your list of ideas to see if there’s something interesting to start with.
Whatever your opinions are on K-Pop, it’s awesome to me that the U.S. has gotten on board with an all-Asian boy band. Back in the ’90s (or, ever?) this was not a thing. But streaming platforms, social media, and accessible worldwide distribution of all types of music have globalized and changed our musical tastes — in this case, I think, for the better. We still have a long way to go in terms of representation in the music industry, but when I first saw BTS perform on the Billboard Music Awards, I was stoked!
Lalita had some help in that scramble to barricade her bedroom window. Her mother and sister, their cat, and her brother and girlfriend and their four cats, all took shelter in the apartment she shares with three roommates (and more cats). Later, they had to work together to stop the flooding while rain relentlessly poured into her living room, where her brother had been sleeping on a mat on the floor and awoke abruptly, realizing he was soaking wet.
ADHD’s Leveling Tool is a tube compression emulation in the style of the LA-2A compressor, an analog studio classic for compressing vocals due to its subtle, slow gain reduction and overall transparent sound. But I find that it also sounds great when used on mix elements such as bass and keyboards. The ADHD Leveling Tool tames instrument peaks and adds colorful character with its emulated tube drive. The release and attack time can be adjusted to suit your needs, which adds to this compressor’s versatility.
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In Duff McKagan’s case, after following Slash’s classic intro with a standard climb from the root to the fifth via the major third and perfect fourth of the scale, he returns frequently back to his fifth, and repeatedly makes use of that fourth-to-major-third-to-root motif. It works beautifully alongside the main guitar riff, but McKagan always seems to shine in song intros.
Financially-savvy songwriters have been taking advantage of this loophole by quietly selling a portion of their catalogs. In addition to receiving a big lump sum payment taxed at half the rate, these songwriters are diversifying to hedge against industry turmoil, inflation, and declining royalties. It’s something worth checking out!
As soon as I started to scope it out, I very quickly realized that it would be even better if I could build a tool that would allow my clients to create their own playlists — let them be in charge of their music journey.
Here’s an obvious one. The clothes you wear when you’re on stage are a costume and you should think of them as such. Even just wearing your everyday street clothes is going to communicate something to the audience. It sounds annoying and unfortunate, but I guarantee that you do it too when you see a concert: judge a band based on their rags.
Knowing your audience is a crucial aspect of marketing your music, but it is also important to consider your audience when writing your music. What kind of people (outside of your friends and family) do you want your music to appeal to? What artists do people in your target audience listen to? Which moods and lyrics does your audience relate to?