Okay all this is super cool, but the thing is that Björk says, “first and foremost, Biophilia, is an album”. No matter how we view the creation and dissemination of the album and its concepts, it is true that Biophilia, like Magna Carta Holy Grail, is fundamentally available as a mass-produced musical product. The ingenuity and approach that went into these albums may end up influencing as many people as, say, Sgt. Peppers or Metal Machine Music, or Graceland, but they are all in the same family.
Their now-classic debut, Music Has the Right to Children, contrasted starkly with the clinical, busy, and hyped sounds of 1990s techno. In retrospect, whole genres such as chillwave and lo-fi rap would sound vastly different without having been able to walk the trails laid down by Music Has the Right to Children and Boards of Canada’s other releases.
“Finesse” (Remix): Cardi B drops herself into this remix in a relatively extended intro. There’s also a pre-chorus, as well as a fake-out bridge which I’m going to call a “pre-bridge” (P2). My favorite part of this section, this song, and maybe this entire study in general, is that just when you think the whole thing is going to be done over the three-chord loop of♭VI V i, they throw in a ♭vii to ♭III turnaround, or, for the functionally minded, a “ii V I” that resolves back to D♭. This tonal trick, as well as the extensions and voicings, are really typical of the era they’re harkening back to in the video. Super clever.
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“Bad at Love”: Just like the song Halsey sang last year with the Chainsmokers, “Closer,” this song defies a concrete tonal center, camping on what I first heard as the IV and V chords, with just a flirtation to the I chord at the end of the loop. It’s subjective as to how anyone’s ear is going to hear this tonally, at least at first. It’s like that famous “Rabbit-Duck” illusion where some people see a rabbit and others see a duck.
We’re all about these amazing beat makers who hail from Africa, Asia, and South America, and the rest of North America is captivated too. You need to listen to these seven electronic producers with a wholly unique sound and approach right now.
I don’t know what it is about this West Virginia University hub, but I have found time and time again that even bands without a huge national following can attract a packed, excited crowd in Morgantown. People just can’t get enough music here, and they’re welcoming enough to give you a shot and come to your show even if they’ve never heard your music. Plus, with West Virginia’s proximity to Pittsburgh, Washington, DC, Baltimore, and Columbus (not to mention all the other secret hot spots in Ohio), it’s an easy detour that will surely be worth the trip.
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The answers lie in the way that melody takes words and frames them in a different time and space. Melody can change the amount of time we spend on certain words (rhythm) lengthening or shortening the length of notes or space — by changing the pitch between words (intervals), up or down. This is what makes song so different from speech. And yet, there are parallels you can take advantage of.
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I’d say my biggest accomplishment was completing a two-week European tour through Italy and Austria with the modern jazz group PLS.trio, where I played some of the most challenging music I’ve ever played with some of the most talented, virtuosic players I’ve had the pleasure of sharing a stage with, but I could still hang and hold my own—even while playing to large crowds. I felt on top of the world at the end of that tour.
Looking to enhance your knowledge and mixing skills, practice your chops, and build your portfolio of work? We definitely have an online course for you.
Many of the acts that you’ll reach out to will have a booking agent or manager responding on their behalf, and while this may seem daunting at first, it actually makes everything much easier. Booking agents are typically more responsive (and more professional!) than musicians so don’t be scared off by their very official websites and emails.
It may sound corny or cliché, it may sound like bad advice at first, but “fake it til you make it” is one of the core tennets of visualizing your success.
SESAC is a much different PRO than BMI and ASCAP in that it is a private, for-profit organization, that runs an invite-only membership system. As a private company, it does not disclose it’s annual distribution total.