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In my 2008 piece for Greek Byzantine choir and strings, Nativity Kontakion, I discovered a beautiful harmonic structure based around the Byzantine whole step you get when you divide the octave into fourteen 72nds — a bit wider than the whole step on the piano, which is twelve 72nds of an octave wide. Invert that wide “14/72” whole step, and you get a minor seventh narrower than the usual one. It so happens that this narrower minor seventh is almost equivalent to the seventh partial — one of those pure, God-made mathematical ratios that fell out of favor when equal temperament took over.

With all of Logic’s inredible instruments, producers often rely on the sound of the samples right out of the box, here’s how to make them more interesting.

Jack White has always understood the importance of a strong color scheme. When The White Stripes were just starting out, Bobcat Records wanted to put out their first record but Jack White turned them down because they insisted on putting a neon green logo on the spine of their record. The White Stripes only used red, black, and white. This reflected their simple, but always effective, approach to rock music.

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+ Pursue your dreams faster with a Soundfly Mentor! Share your musical goals with us and we’ll pair you up with a professional musician, engineer, educator, or music industry veteran who will help you achieve them in a customized four-week session.

Logic Pro offers some of the best-sounding and most customizable synths right out of the box, here’s how to adjust their default settings to your liking!

I tend to use a faster attack, but I’m not crushing those transients with a ton of compression, so I still keep the dynamics in my mix. If I found I was killing the transients too much and there was no excitement in my mix, I would probably make it a slower attack setting.

All of your favorite Scrubs characters get to act out different themes of a musical, with tons of genres present — sad songs, happy songs, ballads, the like. And every important hospital topic in the show is covered as well: drama, love, uncertainty, Mr. Cox’s hate of JD, and poo (I’m not kidding). If you, too, hear the world in song, feel free to check out our course, Music Theory for Broadway Actors.

In plain speak, FLAC is like buying an Axe-FX with all these guitar sounds that you’re never gonna use, and MP3 is like buying a Boss MT-2 Metal Zone — there’s less in there, but it doesn’t screw around with needless bells and whistles. It just takes you straight to Toneville.

Most talented rappers of all time

Explore Soundfly’s wide array of free online courses and expand your musical skills over your lunch break! Here are just a few free courses you can choose from: How to Create a Killer Musician Website, Theory for Bedroom Producers, How to Get All the Royalties You Never Knew Existed, and of course, Touring on a Shoestring. Here’s a snippet of what to expect on Soundfly. 

Watch that video. Now watch it again. It’s like “Flight of the Bumblebee” being read as it falls through a paper shredder. Here’s Wikipedia’s explanation of that piece:

A simple tip for making more engaging tracks is to add or subtract an element every four to eight bars or so. Here are a few variation approaches to try:

Saturation and distortion are usually used to add bite and roughness to instrumental tracks to help them stand out in a mix. Klanghelm’s IVGI can give you a full spectrum of colors, ranging from subtle saturation and warmth to dirty, grainy distortion. This is a very musical plugin that reacts dynamically to the instrument on which it’s placed, so it doesn’t create any tonal imbalance. You can also control the frequencies that are being saturated to get the detail necessary to make your instruments sound just the way you want.

Music creation software follows a few different interface metaphors: the multitrack mixing desk (Pro Tools), the rack of modular synths (Reason), the sheet of staff paper (Sibelius, Dorico, Noteflight). There are also hybrids of all of the above (Logic). Ableton Live is in a category by itself, because it’s organized around a kind of performable spreadsheet. Serato’s metaphor is two turntables, a crate of vinyl records, and a DJ mixer.